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Cast |
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MARIA
LODOVICA MARINI Director
https://www.facebook.com/lamaca.gioconda/about?section=bio&pnref=about |
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SARA NOVELLO BRAIT Assistant director | |
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PAOLO
MICAI http://www.micai.it/
UGO NUZZO (Video Voyager) Matteo Nigro Mattia D. Miscia Nicola Di Francescantonio Sara Simoncelli Gabriele Pallanca Stefano Bergamaschi Silvia Demartis Michele Vindimian Federico Galliano Roberto Scarcella Andrea Santona Francesca Cangiotti Matteo Forli
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Director of photography
Operator and Film Editor Camera Operator Assistant Camera Operator Assistant Camera Operator Script Supervisor Boom Operator Boom Operator Make-up Electrician Grips Grips Grips Set Photographer Backstage
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ZEROISO A handful of photographers wandering on the set that captures valuable film images and not | |
| ACTORS | ||
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ALESSANDRO BECHIS, bench man pledged to turn signs | |
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ANDREA ZANZOTTERA, the conceptual artist, very lazy and indolent pianist looking for the “sound”, which is suggested by the Shaman to realize the Uargh's research, which will change the horizon and the vital perspectives https://www.facebook.com/Andrea-Zanzottera-30355923932/info/?tab=page_info
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CARLO MARENCO, mad doctor, enlightened in every sense, Great Curator of paZZienti (crazy patients). He runs in tandem with the Son of the Director and is pleasantly accompanied to the hospital by the Collector of Thunder's Lightning that, asking a hand on his arm, the necessary charging energy |
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CINZIA BASSANI, the latches controller. Head nurse, she has all the keys of the madhouse/world, but she can't get anywhere, except through external aid. Cook infatuated https://cinziabassani.wordpress.com/ | |
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DANIELE MURGIA, the Son of the asylum's Director, presumptuous and recommended by clientelism, prey of selfie-mania. Metaphor of arrogance of power, in league with the doctor of “paZZienti” (crazy patients) | |
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ENZA SARACENO, bartender at Bar Bara and cleaning lady. She dreams of being a dancer of tango: indeed it serves customers in dance step | |
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FABRIZIO POLINI, Basque cameraman running with the journalist: he smokes constantly, making his shots in particular way | |
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FRANCESCA STOPPINO, Francesca Bertelli, mental asylum resident with the obsession to be a famous star of the silent movie era | |
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GUIDO DAGNINO, vampire since 1600 and beyond, voice carrier, the central element. Through his narrative, the film's plot unfolds feeding his fantasies and not, from which - through Estoca's Game - originate the characters encountered. He's a count, he was interned “no one knows when, and he's a fine composer who eventually smokes his pipe. He've got strange electronic gadgets | |
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MASSIMO BLANCO, the worker who wanders in the asylum | |
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MAURO SABBIONE, Shaman, famous musician, who is wanted by the Artist. You will be aware that yes, of course, sound is important, but the true essence of existence lies in Uargh, universalis talisman http://www.sabbione.com/
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MICHELA RESI, the goblin Ginella, mischievous energy of the shaman, she suddenly materializes herself dispensing singing out of tune every time it happens an unexpected death, shaking a rattle, feeling which all the people nearby immobilize themselves http://www.michelaresi.net/official/
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MIRO GATTI, peaceful astronaut, he's hit by apprentice machine gun and rushes into the glade | |
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MIRO GATTI, the pram's baby | |
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NERIO BERGESIO, bench's bluesman www.nazarioeisauri.com | |
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ORESTE DE FORNARI, the Insane Angel that appearing to the engineer Bonanni at night, suggesting the creation of the Uargh's page. Tai-chi's Freak https://it.wikipedia.org/wiki/Oreste_De_Fornari
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ORNELLA FERRARO, the Apprentice of Death, pledged to take up the scythe that Death loses. She kills to distraction, don't know why. She goes all around wearing the headphones of her music reader and with her mascot, a little skull | |
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PIER CURCI, Death, is presented with the typical black mantel. He suffered, no longer able to kill anyone because of his depression. Always lose the sickle (distracted by a continuous autolamentatio) and expects the board, stove exhausting work. Bickering constantly with S'Accabbadora and he's humiliated by his apprentice, causing victims involuntarily | |
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RAFFAELLA IZZO, Pallas/Athena/Minerva, WFP, the runner: she's running and playing the flute, restores movement to all the inhabitants of the madhouse/world. Shamanic and beneficial energy. It is the Ginella's antithesis, whose interventions immobilize bystanders | |
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RAFFAELLA IZZO, Ulla LLeros, Castilian journalist who goes around with the cameraman, while chasing the scoop on the vampire/composer. Climber, uses seductive tricks (coaxing, fuss) to get what she wants | |
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ROBERTO MONANNI, the Software Engineer Bonanni who, after creating the electronic page of "La Zanzottereide", creates the one of the Uargh, inspired at night, during a restless sleep, by the Insane Angel | |
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ROCCO DI DOMENICO, Wilson, the butler | |
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SARA SIMONCELLI, the Collector of Thunder's Lightning. Intoxicated by contact with the arrows, it is in communication with the parallel dimensions of existence, by tuning with the same pointing his index finger upward. In this way attracts the lightning, sometimes creating havoc. She charging power who decides who may need it, starting with the doctor | |
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SIMONA SERRA, S'Accabadora, or else the one who brings the sweet death in Sardinia for the terminally ill or assumed, with a flick of a tool made of olive wood, 'su mazzolu'. Intense gaze and highly ironic and bickering demystify death itself as trembling entities. She interlayers in Sardinian language | |
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SONIA TESTA, multi-Victim of the Apprentice | |
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VITTORIO ZOPPI, Uncle Vyk, the precious Cook in the psychiatric hospital and a former legionnaire, proposes concoctions in free exit. Pursued by the infatuated head nurse, it's used for issues by s'Accabbadora for criminal-culinary intent | |
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CHORUS OF HOUSEWIVES OF VOGHERA: PEPOS BENEVELLI, FRANCESCA PENSO, SONIA TESTA, STEFANIA RESI in excellent sixties style dress, introduce and declaiming “Estoca's Game”'s characters | |
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CORDULA KLÄGER, the fifth housewife, accompanies his team playing the violin | |
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LECTORES (PLAYERS): ALESSANDRO BECHIS, NERIO BERGESIO, MARCO CIPOLLINI, MARINO PALTANI, GIANFRANCO VENDEMIATI. The “digressers” of ideas that express in solemn Zanzotterate | |
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MUSICIANS: PIETRO MARTINELLI and FOLCO FEDELE, Shaman energy, they comping the artist in the search of the Sound | |
| STORYBOARD: Enrico Sanna | ||
| MUSICIANS | ||
| Andrea Zanzottera, composer, piano, electric and acoustic guitars, electric bass, trumpet, background vocals, keyboards, virtual instruments | ||
| Mauro Sabbione, composer, piano, keyboards | ||
| Nerio Bergesio, composer, guitar, bass, harmonica, voice, background vocals | ||
| Daniele Bergesio, electric guitar | ||
| Pietro Martinelli, double bass | ||
| Ernesto Bortolin, drums | ||
| Folco Fedele, drums | ||
| Raffaella Izzo, flute, voice, backgrounds vocals | ||
| Cordula Kläger, violin | ||
| Simona Serra, voice, background vocals | ||
| Michela Resi, voice, background vocals | ||
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